Exotic Perfume Bottle ‘Morocco’ by Michael Trimpol
‘Morocco’ Exotic Perfume Bottle by Trimpol is evocative of Islamic Art with the stopper akin to the minaret atop a mosque.
The aquamarine blue perfume bottle has been given a vortex of copper and silver detailing to produce an artwork that is both contemporary and exotic.
The chic detailing captures the light beautifully and provides superb reflective properties to the piece.
At almost 20cms tall, this exotic perfume bottle has a majestic quality that will ensure it is eye-catching in whatever setting it is placed in. Perfect for an ethnic interior design project or in the home of those well-travelled.
For more exotic, vintage and modern perfume bottle please click HERE
N.B. The images shown are an example of the ones in the series. Each elegant perfume bottles are hand blown and therefore there will be small variations in colour and pattern. Each one is completely unique and signed by the artist.
Exotic Perfume Bottle Artist
Michael Trimpol Glass Artist is our first American artist and Boha Glass is delighted to be able to bring his unique style of perfume bottle here to the UK.
Michael was born and raised in Philadelphia and first learnt about glassworking when he took a stained glass course in Vermont.
He started pursuing a career in stained glass and studied at Concordia University in Montreal before becoming frustrated with the two-dimensional nature of stained glass and moved into glassblowing, taking a course at Sheridan College School of Craft & Design in Mississauga, Ontario, where he graduated in 1985.
After graduation he took up residency at one of Toronto’s most popular tourist destinations; Harbourfront Craft Studios, before setting up his own company in 1989 Hot Glass Inc. He relocated to Stowe in Vermont to continue to develop his range of blown glass products, where he designs and produces a diverse array of art glass products.
He currently designs and manufactures a diverse body of products like this exotic perfume bottle, in addition to overseeing the operations of the studio.
“Of the many media and processes which can be used to create, I have always been attracted to glass and its potential. Initially working with stained glass, I became drawn to the dynamic nature of the blowing process which seemed to better suit both my nature and my vision.
I have a strong preference for objects of a personal scale and with potential utility. A vessel with a lid or stopper has always been of most interest. Colour and pattern are also important, either a single pure colour highlighting form or a more complex mixture to create patterns.
I am proud of the final product but the actual process of creation is what I find most satisfying.”