Wide Glass ‘Reef’ Medium Wide Stoneform by Peter Layton
This clear wide glass stoneform with beautifully sized delicate casing enshrining the gently coloured interior is a stunning example of Peter’s Reef series.
The series was stirred by the artists trip to the great barrier reef.
This design, like the coral which shapes the immense shelves of the reef itself, is never constant.
With flecks of sea colours enticingly mixed with specks of bright pink and yellow spotted around the wide glass piece.
An ideal investment or gift for any art lover.
At every turn you see a new texture or pattern emerge from within to inspire the imagination.
Wide Glass Artist
It is hard to know where to start when you are beginning the biography of an internationally-renowned, living legend.
When Boha Glass set up virtual shop in 2010, Peter Layton was one of those names that rang in your ear with an almost hallowed tone.
Since first seeing his undulating, reef-coloured glass artistry we have been smitten, like love-struck teenagers.
Peter was born in Prague in 1937, but his family settled in Bradford after fleeing the Nazis when Peter was just two years old.
He grew up in West Yorkshire and discovered his love of the Arts, in part, thanks to his Pathologist grandfather who took him to art exhibitions and concerts.
At school in Bradford his talent for art was encouraged and he became good friends with David Hockney. Peter went on to Bradford Technical College to study textiles and made a living in between classes working in the rag trade. He then did his stint of National Service, followed by a year on a kibbutz, before linking back up with Hockney at Bradford College of Art.
Here he abandoned textiles and painting in favour of ceramics and continued his ceramic studies at the Central School of Art in London.
While subsequently teaching ceramics at the University of Iowa in America for three years, Peter fell in love with the medium of glass. While teaching there he met an acquaintance of the pioneering Studio Glass artist Harvey Littleton. Peter tried to improve his skills of glass artistry, but glass has always had a touch of secretive alchemy about it, ever since the Venetians kept glass artists captive on the Island of Murano.
After an initial explosion and a badly burnt hand, Peter nearly gave up glass blowing for good. Thankfully, he persevered and set up the London Glassblowing Studio and Gallery in 1976, which is now one of the world’s foremost glassmaking centres; bang in the middle of London town. This is where everything from wide glass art pieces and tantalising ornaments come to light.